Gilgamesh gets rather interested in the idea that Kirei associates pleasure with sin and finds out why. Gilgamesh suggests that Kirei use the Holy Grail to grant himself pleasure, with Kirei angrily declaring he could never do anything that sinful. He actually does this quite often, usually not realizing what he's said until after the fact.He gives a rousing speech that unintentionally ends with the line "The next time you make that face, I'll spank that cute wet butt of yours". The protagonist's client, a high school girl named Nami, has just came out of a small pond she fell into and is berating herself for her inability to remember the circumstances of her death. These musings culminate with his imaginations of having sex with her and then, immediately after that, when he wants to ask Motoko where should they go ( "Doko e ikō ka na?"), he blurts: "Where should we do it?" ( "Doko de shiyō ka na?") Change 123: After Motoko becomes willing to somehow return Kosukegawa's feelings for her, Kosukegawa starts to have fantasies of how their relationship will develop in the following couple of months.Unfortunately, since she has a crush on him, she asks, "Would you like to see my panties, Takagi?", with Takagi pointing out how Aoki specified herself. In Volume 7, Aoki calls Takagi to ask him whether he would like to see panty shots, after her editor suggests that she include three in each issue.Miura: Oops, you're right, Freudian slip. Takagi: I don't think "crash and burn" was the right phrase there. Miura: Let's crash and burn! Let's do this! Suspiciously Specific Denial is totally not related, because it's not also about revealing more than you meant to say, or anything like that. Compare Have a Gay Old Time, when this occurs when a word's meaning changes over time. See also Does This Remind You of Anything?, which includes subtexts that are only visible to the audience. See also Boggles the Mind, which plays mostly the same role in a different context. Compare and contrast with the Fauxdian Slip, in which a character wants to openly express what the character making the Freudian slip is holding back on. Contrast Lampshaded Double Entendre, which is quite intentional. Often these turn out to be Innuendoes or other sexual references, both for Rule of Funny and to give the characters an opportunity to observe that Freud Was Right.Ĭompare That Came Out Wrong and Accidental Innuendo, which are usually completely innocent and not noticed until someone says " Heh Heh, You Said "X"" or " That's What She Said". What the Freudian slip hides is called Shadow Archetype. Contrast and compare (respectively): Last-Second Word Swap, Ignore the Disability. Taken to extremes, it becomes a Freudian Slippery Slope. This is a specific form of faux pas which usually leads to Verbal Backspace it generally comes as a result of being Distracted by the Sexy, as Freudian psychology often involves the primal desire for sex, but it isn't a strict requirement. As such, it's a perfect tool for the comedy writer. It is an involuntary word substitution that supposedly reveals something you're repressing, hiding, or simply trying not to talk about. Niles Crane, " Dinner at Eight", Frasier (and numerous others)Ī Freudian Slip is, as one wag has put it, "when you say one thing and mean your mother".
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